“But wait!” you say. “What about copyright in the respective recordings? Didn`t you say the filmmaker needed permission to do so? Hooray, remember! Yes, the filmmaker needs additional permission/licensing: professional songwriters often sign with a music publisher (such as Harry Fox) or create their own music publishing house to manage songs and copyrights. You can imagine a music publishing house that looks like a publishing house: it takes care of the rights of the songwriter, sells licenses, collects money and distributes royalties. In addition, a good publishing house will look for opportunities for songs and how to market them: movies, commercials, etc. If the producer agrees that the composer retains rights to his music and recordings, the producer will generally require the composer to agree not to be able to use or make music in other films, television shows or other audiovisual projects for a period of time, except with the producer`s prior written consent. This period can be several years, either from the date of the first commercial release of the film, or from the signing of the composer`s contract. After the agreed time, the composer may place the music in any other film, television program or audiovisual project, such as a video game.B.b) you are not subject to any obligation or hindrance that could prevent or disturb you the respect and full compliance of all agreements, alliances and conditions to be respected or respected for this purpose; The Master Use License is used when a record company wishes to use a master recording from another record company for a compilation on its own label or by a film producer to record a song from a movie or TV show on a separate soundtrack compilation album. 1. The Society requires Composer to compose, organize and produce original musical compositions (the “compositions”), as described in the attached A table, for the score of the image, and master recordings that embody the compositions used in the image (the “masters”). The music composed below and all other results and recipes from the composer`s services are called “works.” Exclusive rights and ownership agreement II of John Ravenell 1. Production: The composer/producer makes a recording of a pre-existing musical composition entitled “O” (the “song”) by Composer/Producer.